Aimee Molloy’s new thriller tweaks the ‘Gone Girl’ genre of the unreliable female narrator | Book review

Goodnight Beautiful

By Aimee Molloy

Harper. 293 pp. $27.99

Reviewed by Julia Rubin

Early on in the deliciously twisty Goodnight Beautiful, one of the main characters, a charismatic guy who we’re getting the sense is being stalked by a fan, is reading Stephen King’s Misery.

His wife, meanwhile, is reading “that thriller everyone’s talking about” with an unreliable female narrator. (Think Gone Girl or The Girl on the Train.)

So we have some idea where this might be headed.

But that doesn’t mean we can anticipate the surprises that Aimee Molloy has in store, or guess whodunit.

This is Molloy’s second novel, after her suspenseful debut, The Perfect Mother, which was about a missing child in Brooklyn. That book is reportedly being made into a movie starring Kerry Washington.

The couple at the center of Goodnight Beautiful, Sam Statler and Annie Potter, are newlyweds who have moved from the city to Sam’s small hometown in upstate New York. He’s a psychologist who sets up a swank practice in an isolated old mansion. She’s a gender-studies professor teaching a class called “It’s All in Her Head: Women and Madness in Literature.”

Their adjustment to small-town life is complicated by financial worries; concerns about Sam’s mother, who has dementia; and Sam’s old reputation as a high school heartbreaker whose dad ran off with a model.

On page one, we learn that Sam has gone missing. Annie starts to uncover his secrets.

Molloy keeps the dialogue sexy and the action brisk, switching back and forth between one character’s first-person account and a third-person narrator describing everything else. The author has fun toying with the conventions of gender in pop culture, and the assumptions we make.

It adds up to a book you’ll read late into the night, trying to figure out where the next twist will take you.

From the Associated Press.