'Golden Girls' star Bea Arthur dies at 86
LOS ANGELES — Beatrice Arthur, the tall, deep-voiced actress who considered herself lucky to be discovered by television executives after a long stage career that included a Tony award for the musical "Mame," died Saturday at age 86.
LOS ANGELES — Beatrice Arthur, the tall, deep-voiced actress who considered herself lucky to be discovered by television executives after a long stage career that included a Tony award for the musical "Mame," died Saturday at age 86.
The star of the TV shows "Maude" and "The Golden Girls" died peacefully at her Los Angeles home with her family at her side, family spokesman Dan Watt said. She had cancer, he said, but declined to give details.
"She was a brilliant and witty woman," said Watt, who was Arthur's personal assistant for six years.
Arthur first appeared in the landmark comedy series "All in the Family" as Edith Bunker's outspoken, liberal cousin, Maude Finley. She proved a perfect foil for blue-collar bigot Archie Bunker (Carroll O'Connor), and their blistering exchanges were so entertaining that producer Norman Lear fashioned Arthur's own series."Maude" scored with television viewers immediately on its CBS debut in September 1972, and Arthur won an Emmy Award for the role in 1977.
The comedy flowed from Maude's efforts to cast off the traditional restraints that women faced, but the series often had a serious base. Her husband, Walter (Bill Macy), became an alcoholic, and she got an abortion, which drew a torrent of viewer protests. Maude became a standard bearer for the growing feminist movement in America.
"Golden Girls" (1985-1992) was another groundbreaking comedy, finding surprising success in a television market increasingly skewed toward a younger, product-buying audience.
The series concerned three retirees — Arthur, Betty White and Rue McClanahan — and the mother of Arthur's character, Estelle Getty, who lived together in a Miami house. In contrast to the violent "Miami Vice," the comedy was nicknamed "Miami Nice."
As Dorothy Zbornak, Arthur seemed as caustic and domineering as Maude. She was unconcerned about the similarity of the two roles. "Look — I'm 5-feet-9, I have a deep voice and I have a way with a line," she told an interviewer. "What can I do about it? I can't stay home waiting for something different. I think it's a total waste of energy worrying about typecasting."
The interplay among the four women and their relations with men fueled the comedy, and the show amassed a big audience and 10 Emmys, including two as best comedy series and individual awards for each of the stars.
Arthur was born Bernice Frankel in New York City in 1922. When she was 11, her family moved to Cambridge, Md., where her father opened a clothing store. At 12, she had grown to full height, and she dreamed of being a petite blond movie star like June Allyson. There was one advantage of being tall and deep-voiced: She was chosen for the male roles in school plays.
Bernice — she hated the name and adopted her mother's nickname of Bea — overcame shyness about her size by winning over her classmates with wisecracks. She was elected the wittiest girl in her class. After two years at a junior college in Virginia, she earned a degree as a medical lab technician, but she "loathed" doing lab work at a hospital.
Acting held more appeal, and she enrolled in a drama course at the New School of Social Research in New York City. To support herself, she sang in a night spot that required her to push drinks on customers.
During this time she had a brief marriage that provided her stage name of Beatrice Arthur. In 1950, she married again, to Broadway actor and future Tony-winning director Gene Saks.
Arthur's biggest Broadway triumph came in 1966 as Vera Charles, Angela Lansbury's acerbic friend in the musical "Mame," directed by Saks.
Arthur won the Tony as best supporting actress.
Arthur and Saks divorced in 1978 after 28 years. They had two sons, Matthew and Daniel.
In recent years, Arthur made guest appearances on shows including "Curb Your Enthusiasm" and "Malcolm in the Middle." She was chairwoman of the Art Attack Foundation, a nonprofit performing-arts scholarship organization, and was an honorary director of People for the Ethical Treatment of Animals.*