Faith Castillo, a native Texan, moved to Philly to earn her BFA from PAFA, a degree the college no longer offers.

John Donohue, a former New Yorker editor, started off sketching his dish rack. He has moved on to restaurant facades.

BalletX journeyed toward enlightenment in the world premiere of Jennifer Archibald’s "Lord of the Flies"-inspired ballet. The company also reached a new peak.

"Building Ghosts," a recent book from Temple University Press, suggests new ways to look at durable artifacts displayed on party walls across Philly.

The interior of the building at Second and Chestnut Streets is adorned with 31 mural panels created by the artist George Harding in 1938. Their future is uncertain.

Historic Germantown and the Atwater Kent Collection received late-night emails on Wednesday stating their previously rescinded IMLS grants had been restored. What about the rest?

She was a founding member of the Wyncote chapter of the National Audubon Society, and her 1988 book, "A Certain Tract of Land," was about the Crosswicks Wildlife and Bird Sanctuary in Abington.

The Philadelphia Museum of Art will unveil Édouard Manet’s "The Croquet Party" on May 14, thanks to a Super Bowl bet with Kansas City's Nelson-Atkins Museum of Art.

Artist Nekisha Durrett's 'Don’t Forget to Remember (Me)' makes sure we remember the College's racist past

Actor, playwright, and scenic designer Hershey Felder shines in this very authentic one-man show

The former UArts undergraduate dance program landed at Bennington College in Vermont, where classes started last fall.

Set in a jungle, Jennifer Archibald's new work is a story ballet inspired by 'Lord of the Flies,' with emotional and physical challenges that require cross-training for the dancers.

Mozart’s greatest opera often requires miracles to pull off well. Created on relatively short notice, this production is a good-under-the circumstances show.

Historic Germantown is one of hundreds of organizations whose IMLS grant have been cancelled. The consequences go beyond fundraising and infrastructure issues.

Milton Myers and Christopher Huggins opted to set existing works on the current generation of Danco dancers. Tommie-Waheed Evans and Ray Mercer chose to create new pieces.