Ron Howard looks back over his career
Documentary covers his 50 years in TV and film.
It's one of Hollywood's grandest success stories: The boy who was Opie Taylor became a top director. He learned the lessons of Mayberry well.
And so the documentary
Ron Howard: 50 Years in Film
carries a nostalgic kick. Now 54, Howard looks back at his long, productive career in the 90-minute program, which debuts at 8 tonight on TCM.
Filmmaker Richard Schickel's setup can grow a bit tedious; Howard is the only speaker as clips play.
The half-century dates to Ron's film debut in
The Journey,
a 1959 drama with Deborah Kerr and Yul Brynner. Howard recalls the experience as "fantastic playtime." Unfortunately, the documentary ignores Howard's acting in
The Music Man, The Courtship of Eddie's Father,
and
American Graffiti.
And there's no mention of Howard's narration on
Arrested Development,
although it's rumored he could direct a film version of that short-lived sitcom.
The section on
Cocoon
has been dropped because of licensing issues, and so we get no Don Ameche. Bummer.
To its detriment, the documentary treats Howard's directorial efforts equally. The Tom Cruise epic
Far and Away
(which Howard calls his "most misunderstood film") gets as much attention as
Apollo 13
and
A Beautiful Mind
, which brought Howard the Oscar.
But Howard certainly deserves the well-timed retrospective because the new
Frost/Nixon
is one of his finest achievements.
Howard describes the director as "the keeper of the story." His education began on
The Andy Griffith Show,
which ran from 1960 to 1968 on CBS and continues to charm in rerun eternity.
"Andy took that show very, very seriously," Howard says. "There was no phoning it in." The education continued on
Happy Days,
the ABC sitcom where Howard learned by watching series creator Gary Marshall and Henry "the Fonz" Winkler and by working in front of a studio audience.
Producer Roger Corman put Howard on the directing path with 1977's
Grand Theft Auto.
(It plays at 9:30 tonight on TCM.) Howard has shown an affinity for stories about history and families (
Parenthood
grew out of a flight he took with his children).
Howard loves actors who can deliver powerful performances. That trend dates to
Skyward,
a 1980 TV movie he made with prickly Bette Davis. The trend has continued most famously with Russell Crowe in
A Beautiful Mind
and Frank Langella as Richard Nixon in
Frost/Nixon.
But you usually can find good acting in Howard film's supporting roles. Watch Dianne Wiest and the young Keanu Reeves interact in
Parenthood.
Or Kathleen Quinlan fret in
Apollo 13,
Jennifer Connelly stand by her man in
A Beautiful Mind
or Ian McKellen steal scenes in
The Da Vinci Code.
The trend continues with Kevin Bacon and Michael Sheen going at it in
Frost/Nixon.
Howard says he looks for stories that work out, such as
Cinderella Man.
When your own story has worked out so fabulously well, that approach makes sense.